4. Dogen Back in Japan
A Life of Dogen by John M Evans. In the Zen Masters Series.
When Dogen returned to Japan after his enlightenment experience in China he did not at first settle into a formal career. He was offered thirteen locations for establishing his own temple but not one satisfied him. Eventually he was installed at a temple outside Kyoto where he began to teach his own version of the Chinese Ts’ao Tung (Japanese Soto) school.
By dropping the cultural forms associated with more esoteric schools of Buddhism, Dogen was able to present a very pure form of practice, close to the original methods of the Buddha. He emphasised not so much that everyone has Buddha-nature, but that everyone is Buddha-nature. This non-dualism enabled him to profess a very direct path to enlightenment; in fact, so direct that the candidate merely assumes the mantle and posture of the Buddhahood he knows he already possesses. As Shunryu Suzuki puts it: “this is the sudden way, because when your practice is calm and ordinary, everyday life is enlightenment.â€
Over the next few years he began to lay down the framework of teaching that we know today as the Soto school of Zen. Its basic tenets were those of Bodhidharma, direct pointing to reality by-passing names and form, transmission of enlightenment from mind to mind, and the assumption that each is already enlightened, is Buddha-mind.
His methods were largely psychological, though arising directly from metaphysical experience, and, given his own nature, more intellectually-based than those of the Rinzai school. By this time he had designated two successors, Ejo and Gi’in, and had begun his long-term literary work, the Shobogenzo.
Finally, after much fund-raising and great difficulty in finding a suitable site, Dogen was able formally to open his own monastery, Eiheiji, in modern Fukui, ninety miles or so north of Kyoto, and some 4000 feet above sea level. Today, Eiheiji is one of the two main temples of the Soto school in Japan. It has around seventy beautifully crafted buildings set among giant cedars and a crashing waterfall.
Suzuki Roshi recalls some of the atmosphere of Eiheiji when he was a monk there early in the 20th Century. Just before you enter the monastery, he wrote, there is a small bridge called Half-Dipper Bridge. Whenever Dogen took water from the river he would use only half, returning the rest to the river as a mark of respect to the water. The monks still observe this practice today, not from any idea of economy, but because: “When we feel the beauty of the river, when we are at one with the water, we intuitively do it Dogen’s way. It is our true nature to do so. But if your true nature is covered by ideas of economy or efficiency, Dogen’s way makes no sense.â€
By the same token, he thought, our modern environmental problems will not be solved by scientific interventions, but only when we resume the perspective of our true non-dual nature. To be at one with the Earth, means we replace whatever we do not need and respect the eco-system that provides it.


