1. Zen Master Bankei - The Teacher
A Life of Bankei by John M Evans. Part of the Zen Masters Series.
What I call “nirvanoception” is the third, usually latent, mode of knowledge. I say “usually latent†because we’re mostly unaware of it. We freely use body-mind modes of “perception†(senses) and “conception†(mind) to navigate around our world, while remaining completely in the dark about “space consciousnessâ€, which is working in the background.
Normal consciousness is narrowly focused in our heads. Nirvanoception is wide, space consciousness, which takes no heed of trivial daily concerns. It clarifies during nirvanic experiences because perception and conception are “left behind” with the body-mind.
The aim of any spiritual path is to clean up the doors of perception and conception so that nirvanoception shines brightly in our consciousness. To be precise, it’s how Nirvana experiences itself.
Seventeenth-century Japanese Zen Master, Bankei, made nirvanoception the whole basis of his method. The following is a serialization of his life:
A layman approached Bankei and said: “Master, it is said that you can read people’s minds. If this is the case what am I thinking right now?â€
Bankei replied: “You are thinking that.â€
Like most Zen masters, Bankei had a droll sense of humour which he often displayed in a self-effacing manner. At other times he would use it remorselessly against an arrogant interlocutor, or as a sharp pointer to the truth when he judged that an intellectual bubble had to be burst. Humour is a natural accompaniment to Zen because it feeds on hubris and paradoxical situations. The following mondo (Zen conversation) is typical:
A monk asked T’ou Tzu, a Chinese master of the T’ang period: “I have heard that all sounds are the voice of the Buddha.â€
“Yes, you are right,†said T’ou Tzu.
“Am I also right that all assertions, no matter how derogatory, are reflections of absolute truth?â€
“Yes, you are right,†replied the master.
“May I then call you a donkey?â€
In many ways Bankei (1622-1693) resembled the old Zen masters of the T’ang Dynasty, whose teachings were vibrant with austere insights expressed in a direct and simple style. Though he lived more than a thousand years after the time of Bodhidharma, and over eight hundred since Hui Neng, Huang Po and Rinzai, Bankei was out of Zen’s top drawer. He was also a highly original interpreter of Buddhism.
Dr. D.T. Suzuki, who rescued his work from obscurity, said of him: “His ‘Unborn Zen’ espoused a fresh departure for the first time since…Bodhidharma. Unborn Zen is truly one of the most original developments in the entire history of Zen thought. Bankei, indeed, must be considered one of the greatest masters that Japan has ever produced.â€
The scene is the Winter Retreat of 1690 at the Ryumon-ji temple, which was founded by Bankei himself. In the assembly hall are gathered 1,683 people: priests, masters, novices and laity. They come from all the major Buddhist sects in Japan, Soto and Rinzai Zen, Shingon, Nichiren, Tendai, Jodo and Jodo Shin. The atmosphere, though calm befitting a Buddhist gathering, is expectant, for Bankei is the greatest preacher of his age, likened by his scribe to the Buddha himself.


I usually buy Gordon Smith’s latest books as they are published, because they always contain rich nuggets of wisdom on all aspects of the spiritual and the afterlife.
Although D.H. Lawrence is known as a very physical writer — to put it mildly — he was also spiritual in his finer moments. Look at this passage from Chapter 15 of Women in Love: